ISHum Students

2009 Graduates, and their BA papers

Chris Aque, “Dislocating the Everyday: Resituating Space as a Response to Spectacle in Contemporary Art”

Kate Casey, “Re-examining Reality: Picasso’s Las Meninas, August 17th 1957”

Neal Curley, “Between Site and Sight: Locating Self-Identity in Photographs”

Sarah Gallagher, “Genetic Patenting: Stakeholding in a Biomedical Context”

Natasha Hodnett, “You Are My Home: The Possibility of Dwelling-Within-Another Through the Writings of Emmanuel Levinas”

Ben Kauffman, “The Readerly Being: Readership, Time and Nabokov”

Sarah Kull, “Crime and Confession in Dostoevsky: The Moral Argument in Notes from Underground, Crime and Punishment, and Demons”

Matthew Landback, “Borg Buddy”/”The Uncanny” (video piece with critical paper)

Aliza Levine, “Freed Men, Free Soil, Free Markets: Raced Discourse of Labor and Property in the Slaughterhouse Cases of 1873”

Hannah McElgunn, "The Immortal Oscar Wilde: A Study of the Memorial as the Epicenter of Myth"

Maria McElwain, “Ladies and Light: Exploring the Comparison Between Pablo Picasso’s Les Demoiselles d'Avignon and Albert Einstein’s Thought Experiments”

Plamena Pehlivanova, “The Decline of Trust in Post-Communist Societies: The Case of Bulgaria and Russia”

Danielle Tcholakian, “Stories” (fiction)

Anne Sauer, “The Monster in the Closet: Monsters as Representations of Self-Denial in Gothic Literature”

Matthew Vance, “Toasts” (poems)